I
]
       APROPOSITIONS (
       ____ (breath, blow, kiss)
               ___ (b,b, kiss) LIVE
       blowout i-iv

       ( breathingspace
       OVER_ EXPOSURE (REST
       ABSENT SKIN
       SEVERAL/GLOW (x y z
       CONVERSION (glow)
       continual (
       NOWNES(S(ESS_
       SONGS TO THE SUNS
               WE (   live
     
       RED PATIENCE        
       PERISTYLE
               CHOR(EO GRAPH)VS
       DESIRE
        BLUE-BARBAR-BRAID
               FORM(UL)ATIONS
               Vessels (black, gold    
       Simple Form(ation)s
               Portraits
       ALL THAT GLITTERS
       SOFTNESS
       Beginnings (Odyssey)

II]
        ~LETHE


III]      
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APROPOSITIONS (                     (live)

Kunsthaus (Zurich, CH)
2024

In the context of the group exhibition Apropos Hodler with: Asim Abdulaziz, Laura Aguilar, Caroline Bachmann, Sabian Baumann, Denise Bertschi, Ishita Chakraborty, Andriu Deplazes, Latifa Echakhch, Eva Egermann & Cordula Thym, Marianne Flotron, Dani Gal, María Elena González, Hemauer/Keller, David Hockney, Sasha Huber, Roland Iselin, Frantiček Klossner, Nils Amadeus Lange, Izidora I LETHE, Urs Lüthi, André M’Bon, Uriel Orlow, Nicolas Party, RELAX (chiarenza & hauser & co), Ugo Rondinone, Susan Schuppli, Selma Selman, Milva Stutz m Latefa Wiersch.



APROPOSITIONS (UN_PLACElive performance (2024Photo: Studio Stucky




APROPOSITIONS (
As part of the APROPOS HODLER exhibition at Kunsthaus Zurich, LETHE has continued to delve into the question regarding notions of “neutrality" or "natruality" of a (national) landscape and its bodies.
Instead, LETHE tackles the notion of such through site, architectural histories, and engages with its hidden and ever-present and complexities and embedded strata of (em)power(ment). 

APROPOSITIONS (               (live) is a one-time only live-performance without video-recordings. The seven performers wear a specially designed fabric that quotes a deer-unter’s camouflage “orange blaze” . The textiles are altered to depict invasive and now “Swiss” plants, printed on canvas, with a color gradiation from a white that looks as if bleached from below to a mid-day/mid-night orange on top.


The performers move throughout five different locations in the (recently built by Chipperfield and historic by Moser) architectures of the museum, guiding the viewers through a score of possible interventions into complex histories and presents such as:

        DIS_PLACE

        RE_APPEAR

        UN_QUOTE

        DE_POSITION

        GATHER

        UN_RELATE

        DISPERSE






APROPOSITIONS (UN_PLACElive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_PLACElive performance (2024Photo: Studio Stucky


APROPOSITIONS (RE_APPEARlive performance (2024Photo: Studio Stucky


APROPOSITIONS (RE_APPEARlive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_QUOTElive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_QUOTElive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_QUOTElive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_QUOTElive performance (2024Photo: Studio Stucky


APROPOSITIONS (UN_QUOTElive performance (2024Photo: Studio Stucky


APROPOSITIONS (DE_POSITIONlive performance (2024Photo: Studio Stucky


APROPOSITIONS (DE_POSITIONlive performance (2024Photo: Studio Stucky


APROPOSITIONS (DE_POSITIONlive performance (2024Photo: Studio Stucky


APROPOSITIONS (DIS_RELATElive performance (2024Photo: Studio Stucky





APROPOSITIONS (DIS_RELATElive performance (2024Photo: Studio Stucky


APROPOSITIONS (DISPERSElive performance (2024Photo: Studio Stucky


APROPOSITIONS (DISPERSElive performance (2024Photo: Studio Stucky


APROPOSITIONS (DISPERSElive performance (2024Photo: Studio Stucky




Choreography/Score
Izidora l LETHE

Costume
Ana Toni Vyshyakova

Photo Credits

Studio Stucky
Performers
Giuliana Beya Dridi
Donya Speaks
Hermes Schneider
LEN_
Nayo Sauter
Remo Asphalt
Sharon














© 2024
IZIDORA I LETHE

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